upcoming
2023
2023, GIF movie, looping
shown at ticktack cinema, antwerp.
photos courtesy of the gallery.
music manual
2023, 00:14:32, hd video
screened at ASP katowice, and goldsmiths cinema, london.
with thanks to yasmin vardi and amelie mckee.
2023
stoker 2023, 00:04:35, hd video
shown at at geist enclosure, studio ghost, tokyo.
photograph by ayako mino.
performance at spanners
organised by limbs
2022
with anna clegg and clementine bruno
latex print on satin poster paper, folded, embossed metal, feather, fibre, t-pins.
at not before it has forgotten you, nicoletti contemporary, london
photographs by mark blower.
PRESS
PRESS
PRESS
performance at iklectik, london.
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2022
with anna clegg, david musgrave and elliot jeffries
archival boxes, multichannel audio, stickers, plushie.
at greengrassi, london.
2021
with elli antoniou
155x540x40 mm (each)
glossy chromalux aluminium print, perspex base with stainless steel holders
shown at bambi woods presents, space 52 and ergo space, athens.
may 20-30, 2021
Bambi Woods functions like a radio that never announces its programme in advance. Initiated in 2019 and gathering contributions from over fifty voices, Bambi Woods are a collective enunciation springing from the anonymity of murmur, a molecular vibration infiltrating processes of individuation while encrypting the status of the author. Like a balaclava-covered DJ sticking black tape on their records’ labels, B.W. distribute chains of reactions and affects that are no longer based on recognition and identification.
Bambi Woods’ next intervention will take place across two mirroring spaces, ERGO Collective and Space52, both located in Athens. Combining curating, art making, poetry and performance, Bambi Woods Presents is an assemblage of ready-mades, radio stations, internet portals, photographic slides and not-yet-determined works of art that will attempt to recode architectonic forms of authorship through delegated chains of commands and mechanical processes. Throughout the project, B.W. will shapeshift into constellations of nameless entities, inviting the audience to follow a story without script in which power play, meaning production and the ideological figure of the ‘present author’ dissolve into a cadavre exquis of situations. Less a manipulation of the real than a simulated reality, Bambi Woods Presents deals with the phantom of wording and unfolds like a game of which the only rule is to be a game without rules.
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